$15 adv, $18 day of show
General Admission (standing) - Doors open at 7PM
https://www.emilywolfemusic.com/
Emily Wolfe transcends the ranks of ordinary musicians. As a triple-threat rock & roll
singer-songwriter-guitarist and producer from Austin, TX, Wolfe is on a mission to breathe new life into classic rock & roll with her incendiary guitar chops and original songwriting. Wolfe’s powerful lead vocals and dominating guitar style has led her to share stages with Heart, The Struts, The Pretenders, White Reaper, Joan Jett, Catfish and the Bottlemen, and more. A self-taught guitar player starting from the age of 5, Wolfe has honed her craft and continues to take her playing to the next level. Wolfe released her latest album Outlier in 2021, produced by Michael Shuman (bassist of Queens of the Stone Age). The year 2021 also included the international launch of her signature guitar by Gibson/Epiphone, the Emily Wolfe Sheraton Stealth.
The second full-length from Emily Wolfe, Outlier is an album built on exquisite tension: an endless push-and-pull between desire and resistance, determination and self-sabotage, the instinctive need to belong and the urge to strike out on your own. For help in channeling that complexity of feeling, the Austin-based singer/songwriter/guitarist explored and obliterated the boundaries of rock-and-roll and modern pop, mining equal inspiration from the likes of Judas Priest and Ariana Grande in her bold but masterful genre-bending. Produced by Michael Shuman of Queens of the Stone Age and Mini Mansions, the resulting body of work finds Wolfe upending the conventions of each genre, ultimately arriving at a guitar-drenched sound that’s wildly unpredictable and immediately magnetic.
The follow-up to her self-titled debut album (a 2019 release produced by Ben Tanner of Alabama Shakes), which featured the single “Holy Roller,” Outlier came to life in Shuman’s garage in Los Angeles, where Wolfe was joined by her longtime bandmate Evan Nicholson. After completing basic tracking for the songs, Wolfe and Shuman layered on new and unexpected textures with the help of programmed drums and beautifully warped synth tones.
“Outlier” is a different direction for me musically,” says Wolfe.” I wanted to try something new and different. I wanted to step outside of the blues-rock box and see what else could happen. This record is my attempt at crossing genres between classic ’70s rock, ’80s pop, ’90s grunge, and modern pop elements of today. I wanted to see how far I could push my boundaries musically, while still holding onto my integrity as a guitar player first and foremost. This album is a huge indicator of where I’m headed as an artist — my goal is to create well-crafted rock songs with polished pop production, but stay true to myself as a lover of guitar solos.”
The follow-up to her self-titled debut album (a 2019 release produced by Ben Tanner of Alabama Shakes), which featured the single “Holy Roller,” Outlier came to life in Shuman’s garage in Los Angeles, where Wolfe was joined by her longtime bandmate Evan Nicholson. After completing basic tracking for the songs, Wolfe and Shuman layered on new and unexpected textures with the help of programmed drums and beautifully warped synth tones.
“Outlier” is a different direction for me musically,” says Wolfe.” I wanted to try something new and different. I wanted to step outside of the blues-rock box and see what else could happen. This record is my attempt at crossing genres between classic ’70s rock, ’80s pop, ’90s grunge, and modern pop elements of today. I wanted to see how far I could push my boundaries musically, while still holding onto my integrity as a guitar player first and foremost. This album is a huge indicator of where I’m headed as an artist — my goal is to create well-crafted rock songs with polished pop production, but stay true to myself as a lover of guitar solos.”
Sailor Down opens the evening
The debut full length from Massachusetts based Sailor Down opens by asking, "What's that word for letting go? Two magnets getting close..." as if needing help completing the Sunday crossword puzzle. And though lead songwriter Chloe Deeley weaves intricate alternative tunings between many questions like these - it’s like the answers are already filled in. Both letting go and getting close are repeated themes throughout the record. Having recently relocated from Northampton back to her hometown on the Massachusetts North Shore for a middle school teaching position, Deeley is able to look back and ahead at the horizon with varying levels of optimism.
Sailor Down leaves behind lo-fi bedroom recordings on Lookout Park and expands into full band studio versions featuring everything from early Saddle Creek pedal steel to electronic programming by way of an op1 synthesizer. The latter being showcased on the impossibly catchy lead single “Bat Signal” accompanied by poignant affirmations like “I’m taking a break from falling down. I’m gonna learn how to follow myself around”. Whether getting close or letting go, Deeley finds new ways to use introspective hooks to help appreciate both.
“…spare but lovely with gently-strummed guitar and double-tracked vocals, that should appeal to fans of Phoebe Bridgers and confessional, lo-fi singer-songwriters.” - BrooklynVegan
"a sonic pallet of processed beats and languid acoustic guitars like the middle ground of Frankie Cosmos and Digital Ash-era Bright Eyes." -ForTheRabbits
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