$15 adv, $20 day of show
G.A. (standing) - Doors open @ 7pm
Five years since her debut album Delivery, Mikaela Davis has moved away from her hometown of Rochester, shared the stage with the likes of Bob Weir, Phil Lesh, Christian McBride, Bon Iver, Lake Street Dive and Circles Around the Sun and entered a new decade. But it’s the ever-evolving relationships between her closest friends and bandmates that has propelled the Hudson Valley-based artist onto her new album And Southern Star––a truly collaborative effort that ruminates on the choices we make, and the people we always come back to.
Davis earned her degree in harp performance at the Crane School of Music, and has molded her classical music training to create an original and genre-bending catalog that weaves together 60s pop-soaked melodies, psychedelia and driving folk rock. She met her bandmates at pivotal moments in her life––drummer Alex Coté in childhood, guitarist Cian McCarthy and bassist Shane McCarthy in college, and steel guitarist Kurt Johnson in her early twenties. It’s the band’s collective step into adulthood that has informed much of And Southern Star’s thematic landscape.
Navigating the periphery of past selves, the coexistence of isolation and excitement in a new environment and the tension of growing away from what we thought we wanted is tackled with a luscious, kaleidoscopic grace. And Southern Star picks apart the reflection we used to recognise, while trying to build a new one. “I finally feel like this album is more me than anything else that’s been released,” Davis says, adding that producing the album along with her four bandmates allowed them to carve out their own ideas, rather than someone else’s. Despite playing together for over a decade, it’s the first time the five-piece have appeared on a full length album together.
The bones of And Southern Star was recorded at Old Soul Studios with Kenny Siegal, a person who was an integral part of Davis’ move to the area. The rest was recorded by Cian McCarthy at Horehound Mansion, adding to the album’s intimate nature. The album was mixed by Mike Fridmann at Tarbox Road Studios, who is lovingly nicknamed as the ‘silent sixth member of the band.’
Davis describes the band’s bond as “meditative and telepathic,” adding that although many of the songs were written individually across the past few years, something instantly clicked once they were together. Opener “Cinderella,” written by Coté and Davis, begins with Davis’ distinctive harp plucks and ethereal vocals. It’s a sonic choice that directly points to Davis’ solo beginnings, before blossoming into the textural patchwork of the band’s contributions. The fairytale wanderings of the song peel back in the album’s dream-like canopy, where tracks offer an otherworldly escape from the constraints of reality.
The album, however, doesn’t shy away from the very real, lingering fog of solitude and uncertainty that comes with entering new chapters. “Far From You,” written by brothers Cian and Shane McCarthy, introduces a stark spotlight, with ghostly vocals and gentle piano accompanying the weight of loss. “Oh but if I was to meet you in the moonlight,” Davis laments before the song offers a tentative optimism through a stirring, psychedelic instrumental outro, written by Davis, that’s full of bright percussion and driving harp and guitar. This optimism lingers on “Home in the Country,” also written by Cian McCarthy, where rousing harmonies and honky-tonk frills encourage us to seek out the blue skies beyond the heavy clouds.
“Promise” was crafted by Davis and Coté years ago as she was illustrating the pains of a close friend, but soon found herself relating it to her own life. Like the evolutionary tint of the album’s scenery, And Southern Star reckons with the changes that creep into a hairpin bend. “The Pearl” is there to anchor these dizzying shifts, as steel guitar and glittering harp creates a frame around the core-memories that shaped us. “You will always feel like that inner child,” Davis explains. “Sometimes you’ll forget about them but then it hits you.”
And Southern Star is an album that toes the liminal space of growing into ourselves, while tugging at parts of the past that we’re desperate to keep. Moving forward, and accepting change, is one of the most painful parts of renewal and we can often find ourselves stuck in the difficulty of it all. Davis, along with her band, understands that while these bumps may hurt at first, they’re not forever and just like the message of album track “Saturday Morning”: sometimes “the illusion of darkness breaks its spell.”
Jake Manzi
Jake Manzi is a Massachusetts-based singer-songwriter. After years of touring festivals and clubs in the Northeast, Manzi presents his debut full-length record, Whatever My Heart Allows. The new record consists of ten dreamy, heartfelt tracks, and features contributions from Grammy winner Don Was, Griffin & Taylor Goldsmith (Dawes), Grammy-nominated guitarist/singer Madison Cunningham, and Mikaela Davis.
Raised in Northampton, MA, his unique brand of soft rock has earned him significant acclaim, sold-out hometown shows, and opening slots for Lori McKenna, Ryan Montbleau, Chris Collingwood, and more.
Whatever My Heart Allows is a sweetly confessional union of soft rock and indie pop, the story of someone growing towards a deeper understanding of themselves. A laid-back, honest meditation on what it means to let yourself love, even when you’re afraid. With lush, sweeping string arrangements, heartachey pedal steel, vibraphone, and harp, Whatever My Heart Allows reads as a love letter from Manzi to himself—a love letter he didn’t even know he was writing.
Jake Manzi’s love affair with music began early, in a crowded dining room, the table piled high with homemade wine, pasta, and meatballs. Once the food was off the table, and the cannoli and sfogliatelle were out, Jake’s dad, uncles, grandparents, and cousins would pull out the acoustic guitars, and the house would swell with passionate, spirited harmonies late into the night.
Manzi was raised on the music of storytellers: Bruce Springsteen, Randy Newman, Carole King, and NRBQ. Growing up in Northampton, home to Dinosaur Jr, Pixies, and others, there was ample inspiration around. Jake spent countless hours holed up with a Tascam 414 4-track tape machine, recording demos, and chasing a feeling.
Heart is at the center of it all. Recorded at Studio 68 in Williamsburg, MA and produced by Manzi and his longtime bandmate and friend Caleb Rosazza, Whatever My Heart Allows sees the two collaborators at their best: dreaming big and making no compromises. The result is hi-fi, glowing, brightly emotional, and vividly evocative. It makes you want to reminisce at a dive bar, then take the long way home with the top down, feeling the wind in your hair.
http://www.jakemanzi.com/